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Do You Write With Verve?

August 13, 2015

Verve

Do you write with ‘verve’? Do your readers devour your books with verve?  Do you even know what the heck is verve? Webster defines verve as:

the spirit and enthusiasm animating artistic composition or performance: VIVACITY

Other definitions include “with vigor and spirit or enthusiasm”. Synonyms include ‘zest’, ‘sparkle’, ‘charisma’, ‘brio’, ‘gusto’…and there’s a lot more but I’m running out of room for my point.

Verve is not just a descriptor of performance, but also for the expression of ideas. When you write, you are writing action, thoughts, dialogue, description, all which have to be interpreted by your reader. A reader should be swept away and immersed in the words he or she reads, as if the story is actually happening right now in their imagination.

Using verve in your writing gives the words on your page/screen more life, more animation, more oomph. Take, for instance, the following short but familiar narrative:

Old Mother Hubbard
Went to the cupboard,
To give the poor dog a bone;
When she came there,
The cupboard was bare,
And so the poor dog had none

Compare to:

The crusty, wiry-haired old dog whined under the rotting wooden table almost sounding like a whimper. Emma, the last of her nine siblings to survive past the age of 90, patted her old friend on the head, pushed herself upright from her chair, wincing with the painful effects of arthritis, and teetered to the lone cupboard in the corner. If there was any food in the modest but dusty little three-room cottage it may be found there. Emma reached up her gnarled hand, pulled the small handle, and creaked open the cupboard door. She raised herself on her tiptoes to see better, but it was no use. Not a scrap of food was left. She nodded in resigned confirmation, walked back to her chair and patted her old friend on the head again.

Does one or the other have more ‘verve’? Do you notice more animation, brio, or gusto with one narrative over the other? With all due respect to our famous nursery rhymes, the first stanza of Old Mother Hubbard tells a succinct and direct story, but it lacks verve.

The animation and life you put into your writing is what keeps a book in a readers’ hands. Don’t fall into the trap of “then this happened, and then that happened”. I found myself getting sucked into that pitfall when trying to steam ahead and write my story as quickly as possible. But in doing so I found my verve lacking considerably. I have once again found my verve and I hope you do too.

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